Thursday, February 16, 2006

Conformity, Madness, and Death

“You drown not by falling into a river, but by staying submerged in it.”

Paulo Coelho is an amazing Brazilian novelist. To date, 380 translations in 61 languages have been published with sales totalling 75 million copies in 150 countries. For 15 years Paulo Coelho's novels have made the top place on the bestseller lists around the world.
He is recipient of numerous prestigious international awards. The critics have praised his poetic, realistic and philosophical style, and the symbolic language that does not speak to our minds, but to our hearts.
I love all his books, i really recomend you all of them, but you should start with "Veronika decides to die", because in this brilliant novel about the aftermath young woman's suicide attempt, Paulo Coelho explores three perennial themes: conformity, madness, and death.

Twenty-four-year-old Veronika lives in Slovenia, one of the republics created by the dissolution of Yugoslavia. She works as a librarian by day, and by night carries on like many single women -- dating men, occasionally sleeping with them, and returning to a single room she rents at a convent. It is a life, but not a very compelling one. So one day, Veronika decides to end it. Her failed attempt, and her inexplicable reasons for wanting to die, land her in a mental hospital, Vilette. Veronika's disappointment at having survived sucide is palpable. She imagines the rest of her life filled with disillusionment and monotomy, and vows not to leave Vilette alive. Much to her surprise, however, she learns that a fate she desires awaits her anyway: She is destined to die within a week's time, of a heart damage caused by her suicide attempt. Gradually, this knowledge changes Veronika's perception of death and life.
In the meantime, Vilette's head psychiatrist attempts a fascinating but provocative experiment. Can you "shock" someone into wanting to live by convincing her that death is imminent? Like a doctor applying defibrillator paddles to a heart attack victim, Dr. Igor's "prognosis" jump-starts Veronika's new appreciation of the world around her. From within Vilette's controlled environment, she finally allows herself to express the emotions she has never allowed herself to feel: hate and love, anger and joy, disgust and pleasure. Veronika also finds herself being drawn into the lives of other patients who lead constrained but oddly satisfying lives. Eduard, Zedka, and Mari have been sent to Vilette because there doesn't seem to be any other place for them. Their families don't understand them, and they can't adjust to the social structure that doesn't tolerate their individuality. Each of these patients reflects on Veronika's situation in his or her own flash of epiphany, exposing new desire and fresh vision for life that lies outside the asylum's walls.
Vilette is an asylum in the purest sense of the word: a place of protection, where one is shielded from danger. In this case the danger is society. Those who refuse to accept society's rules have two choices: succumb to the majority's perception that they are mad, or struggle against that majority and try to find their own way in the world.
The protective walls of Vilette are liberating to its patients, allowing them to explore their "madness" without criticism or harm. What they discover is both natural and startling.
A novel that starts out as contemplation on the expression of conformity and madness, turns into a dazzling exploration of the unconscious choices we make each day between living and dying, despair and liberation.

1 Comments:

At 2:27 PM, Anonymous Anonymous said...

a gracias lokilla

no caxo ni una de ingles okas asi q no se q opinar en fin blog de TG
http://thegathering1.blogspot.com

tu = a mis links okas tau

 

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